灯光装置 Light Installation
Commissioned by the 3rd Shenzhen Independent Animation Biennale
在渲染中为了提供效率，我们会先渲染出光子文件(maya 的扩展名是 .pamp 文件)，而光子文件是完全依据物理学中光运动的原理(https://en.wikipedia.org/wiki/Augustin-Jean_Fresnel;http://www.jianshu.com/p/172a8abd5138)在 3D 软件中的再现，我们通过对光文件的获取，将不存在现场的物体状态下的光通过 LED 装置重新还原于现场，与现场中的物体状态进行并置，进而塑造一种状态或者时态的重叠，呈现变化的无常。
Overlap: Light is used to describe the conditions of the non-visible field, in combination with on-site repositioning in order to construct the feelings of instabilities and inaccuracies. In order to provide efficiency in rendering, we will first render the photon file (the extension of maya is called a .pamp file), and the photon file is a representation in 3D software entirely based on the principle of light movements in physics (see https://en.wikipedia.org/wiki/Augustin-Jean_Fresnel and http://www. jianshu.com/p/172a8abd5138). We obtain the light files, restore the light of the absent objects to the site through the LED device, and juxtapose them with the state of objects on-site, finally shaping the states and times, evincing the impermanence of change.
aaajiao 是徐文恺的网络化名，aaajiao 代表了他媒体艺术家、自媒体、网络活动家等诸多身份。aaajiao 1984 年生于西安，就像这个年份——1984 年也是奥威尔同名小说的标题——和地点所象征的巧合，他的作品充满了强烈的科技的想象以及文人情怀。不少 aaajiao 的作品都切中了今天互联网相关的新思维、议题以及现象，其中不少项目都探索了数据处理、自媒体领域以及信息过滤。aaajiao 近期的创作中的跨领域协作(建筑、电子音乐、表演、产品设计、医学等)都无疑都聚焦于今天消费网络技术、生活于社交媒体中的青年一代。
aaajiao is the online handle of Xu Wenkai, a Shanghai-based new media artist, avid blogger and free thinker. Born in 1984, aaajiao grew up in Xi’an, the ancient capital of Qin and Han Dynasty known for the Terracotta Army. The year of 1984, coinciding with George Orwell’s dystopian masterpiece, seems to explain the perfect alignment between the vivid SciTech-driven imagination and the sometimes-poetic sophistication, frequently seen as the main theme of aaajiao’s work. Many of aaajiao’s works tap into the most current trends of thought around the Internet sphere, with a focus on the emerging controversies and phenomenon related to data processing, blogsphere/wemedia and filtered information. In his most recent projects, the artist has adopted a more extended scope of practices, borrowing elements from architecture, electronic music, performance arts, product design, even medicine, to portray the young generation harnessing the power of cyber technology and the ever-present social media.