施维娜 Shi Weina

施维娜 Shi Weina

施维娜 Shi Weina 
1993 年出生,2016 届广美实验艺术系毕业生。 
Shi was born in 1993, and graduated from the Experimental Art Department, Guangzhou Academy of Fine Arts.

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2'59" 
长在皮肤上黑色的鱼刺、失手被倒进厕所的红色金鱼,黑色裙子和双麻花辫子, 这些取自不同的难忘记忆中的元素,跟随着让这些记忆难以忘记的情绪再认、重拾,旧事件在成长中产生的新认识成为当下与过去的一场对谈,而这个就是我解构自己时间的第一步。 
The black shbone grown on skin, the red gold sh thrown into toilet by accident, black skirt and two twisted pigtails. These elements extracted from different unforgetable memories follow the mood of unforgettable memories to be recognized and reencountered. New understandings developed out of old events during the process of growing up form a conversation between now and the past. This is the rst step for me to deconstruct my own time.

推荐词 Nomination Comments


施维娜毕业于广州美术学院实验艺术系。施维娜一直沉迷在自己编织的动漫时空 里,这种沉迷逐渐转化和生成为某种个人意志和感知系统。作者通过“自我编织的 体感世界”对应了“日常距离”本身,自我 / 身体成为言说的一部分。这有别于创作 过程的自我抽离和不在场,就像她完全无法沿用学院规范进行自我逻辑的推演, 甚至是常规性的论文答辩,她只能呢喃细语般的展示她自己,一朵有些神经质的“恶 之花”。这一现象在该作者毕业期间引发了学院实验艺术体系的自我审视和讨论, 广美实验艺术系对此表示了认可和正面的评估。由此,我推荐施维娜的作品给动 画双年展评委会,希望在青年亚文化、美术馆机制和学院体系相互融合、穿插的 文化环境下,可以产生更深入的研究和反馈。 
——刘庆元 
Shi Weina graduated from the Department of Experimental Art at the Guangzhou Academy of Fine Arts. She has been obsessed with the animation time and space she has woven herself, and this obsession has gradually transformed and produced a personal will and system of perception. The artist echoed the “distance from the everyday” itself by means of the “self-woven somatosensory world”; the self/the body therefore become a part of discourse. This is different from self-abstraction and self- absence in creation, as she cannot conduct logical deduction of the self in academic terms. Even for a common thesis defense she can only present herself in a whisper, just as a somehow neurotic “flower of evil.” This phenomenon has caused a self- examination and discussion within the department over the experimental art system during her graduation period. The Department of Experimental Art, Guangzhou Academy of Fine Arts has shown approval and positive comments. Therefore, I would like to recommend Shi Weina’s work to the Jury of the Animation Biennale, hoping to produce more in-depth research and feedback in a context which young subcultures, museum institutions and academy systems are integrated and interspersed. 
—Liu Qingyuan 

林奕希 Lin Yixi

林奕希 Lin Yixi

林嘉欣 Lin Jiaxin

林嘉欣 Lin Jiaxin