林奕希 Lin Yixi

林奕希 Lin Yixi

林奕希 Lin Yixi
1991 年出生,2013 年毕业于中国美术学院,2015 年毕业于浙江传媒学院。 
Lin Yixi, born in 1991, graduated from China Academy of Art in 2013, and Zhejiang University of Media and Communications in 2015.

影子 OMBRE
5'07" 

《影子》是一部法语黑白定格动画。一个隐秘的故事 , 通过平面纸片和立体场景结合 , 运用光线和黑白摄影 , 构造一种独特的定格风格和叙事方式。讲述 Zoè 因思念丈夫一直存在心理问题 , 在心理医生 Noè 催眠的治疗方式下 , 最终发现了自己童年时一段不能说的记忆......她......到底有没有丈夫呢? 
OMBRE is a French black-and-white stop-motion animation and a hidden story. Applying rays of light rays and black and white photography, along with at sheets of paper and a three-dimensional scene, it builds a distinctive stop-motion style and narrative approach. The work shows us how Zoè develops lasting mental problems as a result of her missing husband. Under Noè the psychologist’s hypnotic therapy, she nally discovers an unspeakable memory from her childhood... Does she actually have a husband? 

推荐词 Nomination Comments


一部非常有意思的动画短片。整体风格非常突出,像一部老电影。略显诡异的音乐和法语配音这样的表现方式,加上拍摄时运用的光影都塑造了影片独立的艺术气质。平面的人物造型和立体的空间形成了简洁而不失生动的独特叙事,特别是那段用一段影子的舞蹈的方式来演绎杀夫后的那种特别的情感状态很是特别,这可以让我们看到导演潜在的叙事能力。 
——高芙雁 
A very interesting animation short. The overall style is outstanding, like an old movie. The slightly odd music and French-language dubbing, along with the light and shadows in the photography shows off the independent artistic temperament of the work. Two-dimensional figuration and three-dimensional space make up a unique narrative that is concise but vivid, especially the section that depicts the emotions of a woman who killed her husband through a dance of shadows. We can see the director’s narrative potential. 
—Gao Fuyan
黑白基调与影片主题,所述内容形成呼应。以定格动画为手段,在叙事手法上有一定的想法! 全篇看似模糊的故事节奏,略带晦涩的剧情却与画面的冷静形成恰到好处的配合。形成了作 者自己独特的风格。可以看到一个年轻的动画人对动画语言的独到阐述。 
——杨晨曦 
The black and white tones echo the theme and content. By means of stop motion animation, the director has her distinctive ideas about narration! The seemingly vague rhythm to the story, the slightly obscure plot, and the calm handling to the scenes mix well together, making for the director’s unique style. We can see a young animator’s original interpretation of the language of animation. 
—Yang Chenxi
本片以动画的手段描述了一个关于心理困扰者的事件;作者在线性叙事的结构上用五分钟完 成了对现实和心理两个时空关系的处理,意在借用故事影像“因果情节”作为媒介来承载一种 非逻辑的心理陈述;在手段上,虚拟的定格动画与真实的光影、简化处理的动作与真实的情 感相互震荡,能较好的体现出形式理念的独特性;在主题表达方面,该作品叙述语气近似平淡, 但最后的开放式结尾将一个普通人内心的心理阴影逐渐扩张开,有效的烘托出客观世界的冷 漠和心理困扰者的无助感,从而引发观者对人伦关系的深度思考。对于一个年轻的动画学生 来说,将动画艺术作为一种思考社会和自我表达的方法比较难得,值得鼓励。 
——薛峰 
The work portrays through animation techniques an event involving someone with a mental disorder. Within five minutes in the linear narrative structure, the director successfully deals with relationship between space and time and between the real and the psychological, with the intent of presenting an illogical psychological statement by applying the “causal relationship” of animation as a media. In terms of the method, the visual stop-motion animation and the real light and shadow, as well as the streamlined movements and genuine emotions, resonate well with one another, effectively presenting the distinctiveness in terms of formal ideas. In the expression of the themes, the narrative tone is almost plain, but its open ending opens up the psychological shadows faced by an ordinary person, effectively highlighting the dispassion of the objective world and the helplessness of a mental patient. Audiences will be provoked to think through ethics thoroughly. It is not all that common for young animation students to reflect on society and self-expression through the means of animation, this therefore deserves encouragement. 

—Xue Feng

梁晓贤 Liang Xiaoxian

梁晓贤 Liang Xiaoxian

施维娜 Shi Weina

施维娜 Shi Weina