梁晓贤 Liang Xiaoxian

梁晓贤 Liang Xiaoxian

梁晓贤 Liang Xiaoxian
1993 年出生。Liang Xiaoxian, born in 1993. 

喫多啖先啦 One More Bite 
3'44" 
阐述红色,可见光谱中长波末端的颜色,波长大约为 610 到 750 纳米,类似新鲜血液的颜色,是三原色和心理原色之一。母亲对于女儿强烈的溺爱而又急于求成的迫切期待,这种畸形的爱护方式对于女儿是一种潜在的伤害。毁灭式的溺爱, 就是一种变相的折磨,全片以不断的进行喂食,母亲六只时刻不停的手来淹没她的女儿来表达这种畸形的宠爱。成长在这种“爱河”中的孩子,无法挣扎无法呐喊, 只能被默默的淹没。母亲的手在片尾化成了树枝,将女儿完全吞噬,她做到了她的全部保护了女儿,但是也永远的束缚住了女儿所有的人生。 
In describing the color red, we find a color at the long-wave end of the spectrum of light, with a wavelength about 610 to 750 nm, similar to the color of fresh blood. Red is one of the three primary colors and one of the three primary psychological colors. In the film, a mother spoils her daughter heavily and is anxious for success. This distorted love and protection in fact causes potential harm. A destructive kind of spoiling is a disguised form of torture. Through the mother’s feeding the daughter, the lm shows the six non-stop hands of the mother swallowing the daughter, symbolizing this deformed love. The child who grows up in this kind of “love” cannot struggle or cry. She has no choice but only to be silently submerged. At the end of the lm, the mother’s hands turn into branches that envelop the daughter completely. She finally spares no effort to protect her daughter, while also fettering her daughter’s entire life. 

推荐词 Nomination Comments

该学生的片子大胆,简洁,用线面的平面手法营造三维空间效果,抽象与写实相结合,出彩的地方是画面的夸张,让人出乎意料,看似简单的表现手法反而体现出很凝练的艺术修养,线条可见功底还是挺好。主题深刻有含义,手法夸张新颖。 
——韩辉 
This bold, concise film employs lines and surface to create a three-dimensional effect, combining abstract and realistic elements. An outstanding characteristic of this lm is the exaggeration in those scenes, surprising the audience. This seemingly simple maneuver actually re ects a very concise artistic accomplishment; great skills can be seen from the lines. The theme is thought-provoking and the approaches are exaggerated and novel. 
—Han Hui 

李雨睿 Li Yurui

李雨睿 Li Yurui

林奕希 Lin Yixi

林奕希 Lin Yixi